Three-phone social story mockup on flat green

Three-phone social story mockup on flat green, photographic, flat, vibrant

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Three staggered phone mockups on a flat green field showing full-bleed story frames that mix condensed caps, line doodles and the script logotype.

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Summary

Three phones held at staggered heights on flat green, each showing a full-bleed social story frame that applies the identity a different way.

Visual description

A flat mint-green background with three dark phone bodies arranged in a staggered rhythm: left phone high, centre phone dropped low, right phone high again, all cropped by the frame edges. Each screen shows a story-format post with a small avatar, an account name, a timestamp and a close icon along the top, and a message field with a heart and a send icon along the bottom. The left screen carries a dimmed photograph of two people in cycling kit indoors, overprinted with "SNOOZE OFF WIGGLE ON!" in alternating green and white condensed caps interleaved with white line doodles of an alarm clock, an arrow, a lightning bolt and a squiggle. The centre screen shows three walkers crouched on an autumn moorland trail with "LET'S GO!" in enormous white condensed caps across the lower half, the second word running past the frame edge. The right screen shows two open-water swimmers in wetsuits wading out, with the white script logotype set large across the middle of the image. Shadows fall softly to the lower right of each device.

Key takeaway

Giving each of the three screens a different job, one loud typographic slogan, one cropped headline, one plain logo drop, shows the system flexing instead of repeating. Setting the headline large enough to bleed off the screen edge is what makes a story frame feel native rather than like a resized poster. The platform chrome is kept generic and low contrast so it never competes with the artwork.

Reuse notes

Reach for this to present a social rollout as part of an identity case study where the brand lives mostly in feed. The staggered heights read better than a flat row and give the middle screen the focus by default. Works only when the underlying photography is dim or busy enough to take white type; the swimmer frame survives it, the indoor frame needs the added dimming.

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