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A single white letter-K monogram centered on a black field, where the diagonal arms of the K are offset and overlapped to read as two interlocking strokes.
Summary
A white letter-K monogram floating in the center of a black frame, drawn so its vertical stem and diagonal arms are split into offset strokes that overlap like two pieces sliding past each other.
Visual description
A wide black canvas with a single small white K centered in it and a tiny two-line credit ("Letter K / by Jesús Bañiles") in faint grey near the bottom edge. The K is custom-built rather than typeset: the upright stem is broken into segments, and the two diagonal arms are shifted off the stem so thin slivers of black show through, making the letter read as overlapping or interlocking planes. The terminals are flat-cut and the weight is even, giving a clean modern feel. Heavy surrounding negative space isolates the mark as a specimen.
Key takeaway
Splitting a single letterform's strokes and offsetting them so negative-space gaps imply depth and motion, the letter stays instantly readable but gains a constructed, logo-like quality a plain typeface character would not have. A good technique for any single-initial mark.
Reuse notes
Use as a starting point for a personal or studio initial monogram. The offset-stroke trick reads cleanly only in high-contrast monochrome with generous space; it would collapse at very small sizes where the slivers close up. Test legibility before using it as a favicon.
