Three portrait frames sit side by side in brushed metal housings against a grey station wall. Each poster uses the same skeleton: a name set in bold sans-serif at top right over two lines, a role beneath it in italic serif, a rectangular photo panel occupying the middle left, a large sweeping curved shape crossing behind it, and the script "we" monogram bottom left next to the stacked lockup "we believe hub" plus small contact lines. The left poster is deep teal with a red-orange arrow form and a portrait of a woman lit in red and green. The centre poster is red-orange with acid green curves and a portrait of a person in sunglasses and a yellow shirt, tinted green. The right poster is pale pink with violet curves and a portrait of a man with hands raised to his face, tinted blue and magenta. The photographs are all cropped inside a smaller rectangle so the flat colour field frames them on three sides.

Key takeaway

One template, three colourways, and duotone treatment that lets ordinary portrait photography sit inside a flat graphic language. Locking the photo into a smaller inset rectangle rather than bleeding it is what keeps the colour field dominant.

Reuse notes

Strong pattern for agency team pages, conference speaker posters or recruitment campaigns where headshot quality varies and the colour treatment has to level it out. Repeats well across any number of people. The italic serif role line is the only softening element, so removing it would push the set toward pure poster.