PINE production deck spreads

Summary

A four-spread layout from a film pre-production meeting deck called PINE, showing how one editorial system handles a loud orange cover, a numbered contents list, a photo-led page, and a near-empty colored divider.

Visual description

Four landscape spreads are tiled two by two on black. Top-left is the cover: an orange panel with the word "PINE" set huge in a heavy black sans, the central letters overlapping a black field so the wordmark straddles two colors, with project credits ("PPM 20.09.21 / RIMOWA Lebron James / By Philippe Tempelman") stacked small beneath. Top-right is a flat grey contents page listing seven numbered items (storyboard, location, set-design, casting, styling, timing, legal) in tidy small caps. Bottom-left is a dark spread with a moody dusk-water photograph and two columns of small justified body copy under a "Treatment" heading. Bottom-right is an almost bare muted-green page with a single tiny dash and faint corner labels, acting as a section break. Palette runs black, grey, and dusk tones with orange and olive-green as the structural accents.

Key takeaway

One type and grid system stretched across very different page densities, from a maximal cover to a nearly blank divider, so the deck feels authored end to end. Splitting an oversized wordmark across a two-color field so the title becomes the cover graphic itself. Using a full-bleed flat color page as a deliberate breath between content-heavy spreads.

Reuse notes

A strong model for a treatment, lookbook, or pre-production meeting (PPM) deck where you want a film or creative-agency feel without templated slides. The color-blocked cover and numbered contents translate well to proposals and pitch decks generally. Keep the divider pages genuinely sparse; their power comes from the contrast with the dense spreads around them.