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Designer portfolio homepage stacking a 'KIRSCHBERG' wordmark over a dusk gradient with a pill nav, then a giant black 'RECENT WORK' header above a project grid.
Summary
A web/product designer's portfolio homepage that leads with a centered "KIRSCHBERG" wordmark over a soft blue-to-peach dusk gradient, then drops into an oversized black "RECENT WORK" section header above the first project thumbnails.
Visual description
The hero fills the top viewport with a smooth gradient running from cool steel-blue at the top to warm peach-pink at the bottom. Centered over it, "KIRSCHBERG" is set in a thin, tall display sans split across two lines, with the "I" letters cut to an italic/oblique slash so the otherwise upright type gets a single dynamic accent. A short three-line italic mission statement sits under it. A black rounded pill navigation (Home, Work, Archive, About) floats at the bottom center, flanked by tiny utility readouts (a "Last updated" date left; a city, temperature, and live clock right). Below the fold, on a near-white off-white ground, a huge black "RECENT WORK" header uses the same oblique-I trick at display scale, with small justified intro copy beneath, then a two-up grid begins: a moody black-and-white hand holding a red object, beside a colorful collage of fashion sale graphics.
Key takeaway
The single typographic signature: keep a tall thin display face fully upright except for the "I", which is sliced to an oblique, so the whole identity gets one memorable kinetic detail with near-zero clutter. Also the floating pill nav paired with live utility micro-data (clock, temperature, last-updated) that makes a static portfolio feel like a living product.
Reuse notes
A strong template for individual designer, developer, or studio portfolios that want premium restraint up top and a confident editorial handoff into work. The dusk-gradient hero leans calm and personal; swap it for a flat color if the brand needs to read more corporate. The oversized headers demand generous whitespace, so they suit roomy desktop layouts more than dense ones.
