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Secondary palette shown as eight full-height vertical color bands, each labeled with its name in black condensed display and RGB/CMYK/Pantone values in white.
Summary
The secondary palette laid out as eight edge-to-edge vertical color bands, each carrying its color name in a black condensed display face at the top and its RGB, CMYK and Pantone values in white near the bottom.
Visual description
The slide is divided into eight full-height vertical stripes that bleed top to bottom with no gaps: fuchsia, red-orange, orange, blue, sky-blue (celeste), aqua-green, green, and lime. Each band is filled solid with one color. At the top of every band the color name is set in heavy black ultra-condensed all-caps display type (FUCCIA, ROJO, NARANJA, AZUL, CELESTE, AGUA, VERDE, LIMA), sized to roughly fit each band's width so the wider words run larger. In the lower third of each band, small white spec text lists RGB hex, CMYK and Pantone (for example "#FF0F82 / C0 M95 Y13 K0 / Rhodamine Red C"). A rotated "COLOR Secundario" running label and the page number "33" sit in the far left margin on a hairline rule.
Key takeaway
Turning a whole palette into one wall of color by making each swatch a full-height band and setting its name in the brand's own display face at band-width scale. The black names sit confidently on saturated grounds, and pushing the technical values to the bottom in white keeps the top half pure color. The names auto-scaling to each band's width adds rhythm without breaking the grid.
Reuse notes
Ideal for the secondary or accent palette page of a bold, color-forward identity. Reads as one striking spread rather than a grid of chips, so it suits energetic cultural, media, or youth brands. Black labels need genuinely bright, saturated grounds to stay legible; on muted or pale colors switch the type to a darker treatment or add contrast.
From this deck: ARTHAUS secondary color palette bands
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