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Race-photography guidance page showing a mixed-size grid of close, raw trackside shots, drivers, pit stops, cars, and helmets, on warm off-white.
Summary
A race-photography example page: a mixed-size grid of close, raw trackside images, helmeted drivers, a pit stop, cars, and circuit detail.
Visual description
Warm off-white (#F7F3EC) page with the "Appendix / Photography" header, section title "At the race", and a two-column grey caption stating race photos should feel close and raw, with bold, brave crops and stolen moments, on a hairline rule with page 199. The rounded-corner grid mixes sizes: a large extreme close-up of a driver's eyes inside a visor at top-left, a blurred low motion shot of a car and red helmet below it, a centre column with a red race car and an action pit-crew shot, and a right column with a packed red-clad pit wall, a car on track, and a focused crew member in balaclava. Colour is rich, contrasty, and motion-charged.
Key takeaway
Building the grid from extreme close-ups and tight action crops, faces in visors, hands, wheels, makes "close and raw" literal. Varying frame sizes within a tidy rounded grid keeps the energy high without becoming chaotic, and the recurring red ties the set to the brand colour.
Reuse notes
A reusable template for the action or product-in-context page of a photography section, ideal for motorsport and any high-intensity activity. Demands genuinely strong, close, well-cropped photography to carry it. Mirrors the Fans page grammar, so the two work as a pair within the same imagery chapter.
From this deck: At the race photography grid
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